Jan 23

“Go On”, “The New Normal” Ratings Continue to Decline Without “The Voice”

For the second week in a row, ratings for NBC’s new Tuesday night comedies Go On and The New Normal continue to slip in the ratings

Go On has seen a steep decline since The Voice has been on its hiatus. During the fall, Go On averaged a strong 9 million viewers a week and had a steady 18-49 demo rating post The Voice, which help give  Go On the title of TV’s highest rated new comedy of the fall. That may not be the case anymore.

Last night’s Go On only drew 4 million viewers and a 1.3 in the 18-49 demo – a series low.

The last 2 airings of Go On shows that the Matthew Perry starring comedy isn’t as popular as NBC may have thought originally. It also shows the ratings strength of The Voice, how much impact The Voice has on Tuesday night ratings, and the void The Voice leaves when it’s not on the schedule.

The rating levels of both of these first year comedies are getting closer in line with NBC Thursday night comedies, which isn’t a good sign at all. it will be interesting to see how Wednesday night comedies Whitney and Guys With Kids do this week, to see which new NBC comedy hour has a greater chance of renewals at the end of the season

 

Related Articles 

 

The Battle of NBC’s Comedy Blocks: “Whitney” & “Guys With Kids” On Par Than “Go On” & “The New Normal” This Week

 

Wed Ratings: “People’s Choice Awards” no match for “Modern Family.” Viewers don’t care about “Stars in Danger”

 

Tuesday Ratings: “Happy Endings” Rebounds from a Terrible Sunday Night, “Cougar Town” Does OK for TBS

 

“1600 Penn” (P)review – Not the First Family of Comedy, But Pretty Close 

 

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Jan 23

“Apt 23″, “Ben and Kate”, “Wedding Band” Yanked by Networks

It’s a sad day for fans of two low rated network comedies.

As of today, Fox has decided to yank low rated comedy Ben and Kate from Tuesday nights after 13 lowly rated episodes. Last nights episode only drew 2.6 million viewers. This comes after ABC made the move yesterday by pulling Dont Trust the B—- in Apartment 23 after it failed to find viewers after ABC added Sunday night episodes for two weeks.

These two cancellations aren’t surprises at all. Both shows have been struggling in the ratings all seasons. This is an instance where you can’t entirely blame the networks for the cancellations. Both Fox and ABC made efforts to keep both of these modestly rated comedies alive as long as possible.

ABC gave Apt 23 a surprising second season after a soft start back in the spring, and Fox gave Ben and Kate an additional 6 episodes to see if there was a chance for its ratings to grow.

As a fan of both of both of these shows, I’m upset by the unofficial cancellations, but not surprised at all.

 

Related Articles 

“Happy Endings”, “Apt 23″ Destined For Cancellation

 

Over on cable, TBS has cancelled its first season comedy Wedding Band starring Brian Austin Green. Wedding Band averaged less than 2 million viewers a week, which wasn’t on par with TBS’ other new comedies Men at Work and Sullivan and Son.

Wedding Band will be a show I won’t be missing, whatsoever.

 

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Jan 14

Now I Understand Why “Happy Endings”/”Apt 23″ on Sundays Nights

apt23When I read that ABC decided to air special showings of Happy Endings and Don’t Trust the B—- in Apartment 23 on Sundays at 10 p.m., I immediately started to scratch my head and assumed that episodes of the low rated but hilarious comedies were just being burned off so the seasons could end early.

Now my understanding is far from that original thought.

Related Article

 

“Happy Endings”, “Apt 23″ Destined For Cancellation

 

 

According to recent ratings, reports, and predictions, Endings and Apt 23 were two ABC shows on the chopping block for cancellation at the end if the season, due to their lackluster ratings in both Tuesdays and Sundays.

Last week at ABC’s Television Critics Association (TCA) panel with network president Paul Lee, he assured criticsABC that both shows were “safe” as of now, despite their ratings. What Lee didn’t specify is HOW LONG they’d be safe. For the rest of this season? Does this heighten their chances for renewals? Valuable information, but vague information at the same time.

Back to the 10 o’clock timeslot. Could this state a new network trend?

Comedies at 10 p.m. aren’t a new concept, but it hasn’t been done on a regular basis – successfully – since the 1980′s.

Happy Endings and Apt 23 aren’t family oriented like ABC’s other comedies. Both shows premiered and aired their first seasons behind Modern Family on Wednesdays and weren’t ratings successes. Both moved to Tuesdays this fall, in ABC’s efforts to start a new comedy block. Still not a success.

10 p.m. makes sense for these two comedies. Both shows are much edgier and targeted to more of an urban, happyendingsadult audience. A demographic that probably isn’t watching on Tuesday and Wednesdays from 8-10 p.m. Also, the duo are deemed “too risqué” for 8 p.m., according to Lee, which is considered a “family hour.”

The next move is 10 p.m. Cable does it successfully, why can’t the networks?

ABC previously doubled up on Happy Endings in spring 2011 on Wednesdays at 10 p.m., but that was solely to fill an empty timeslot after dramas The Whole Truth and Off the Map were cancelled. 

If networks consciously tried to develop upscale, urban comedies for the target group of 18-49 year old adults exclusively for the 10 p,.m. hour, while pushing network barriers as far as possible, I think it may be a success. The 10 p.m. timeslot may be the way to go.

It’s evident that Happy Endings and Apt 23 aren’t working at Tuesdays at 9 p.m. If they both make see another season, will ABC slot them at 10 p.m. for the long haul?

 

 

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Jan 10

“1600 Penn” (P)review – Not the First Family of Comedy, But Pretty Close

1600penntitleNo family in America is under more scrutiny and forced to be perfect for the public eye than the first family. NBC’s 1600 Penn, which premieres tonight, shows that no first family is perfect. 1600 Penn aims to show how dysfunctional our first families really are when we aren’t looking.

Created by Jon Lovett, who was the professional speechwriter for Barack Obama during his first term, and directed by Emmy winning Modern Family director Jason Winer, has brought some of his experiences as a White House aid to this promising comedy. By no means is 1600 Penn based in the Obama’s or their lives behind the scenes, but a seemingly accurate representation of America’s first family, their lives on and off camera, and most importantly, to show that just like all families in America, they have problems too.

1600penncastJosh Gad is the central character, playing screw up son Skip Gilchrist. The oldest daughter Becca (Martha MacIssacs) has a terrible relationship with her stepmother, First Lady Emily Nash-Gilchrist (Jenna Elfman), and father and president Dale Gilchrist (Bill Pullman).

This family has a fair share of problems they’re going to have to deal with. Skip’s irresponsible and a huge liability and image problem for the Gilchrist family. Becca just found out she’s pregnant, and their 13 year old daughter Marigold (Amara Miller) revealed herself to be a lesbian to the family. All these problems building up in the pilot are going to play out over the next couple of episodes, and I’m looking forward to see how these problems are going to play out.

1600 Penn perfectly sets up the family tone, scenes, and situations that are going to take place over the first couple of episodes. The thing that it doesn’t do right off the bat is show how the family is going to display and handle these problems, especially in front of the press. Revealing that Becca is unwed and pregnant, and that 13 year old Marigold is a lesbian are real problems that a first family are going to have to deal with. The question is how the family is going to handle the pressure of revealing these private matters to the press, or are they going to try and keep them a secret. That’s what’s going to keep viewers coming back for more.

 

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Jan 10

The Battle of NBC’s Comedy Blocks: “Whitney” & “Guys With Kids” On Par Than “Go On” & “The New Normal” This Week

Go On has been one of the saviors of NBC this season, as they try and restructure their schedule and be competitive in the ratings again with “broader shows” to reach a much larger audience. As of now, it’s been working. NBC was number 1 in the 18-49 category for the first time in 10 years this fall with the help of Go On, The Voice, Revolution, and Sunday Night Football.

GoOnNBCGo On has been the bright comedy spot this season, being the highest rated new comedy of the season, and having the honor of helping NBC win Tuesday nights this season. The pilot premiere drew 16 million viewers in August with help from the Olympics, and it’s Tuesday premiere drew almost 10 million viewers in September. It’s continued to stay steady throughout the fall.

Things changed Tuesday night. Without The Voice, Go On only drew 4.2 million viewers. Tuesday night companion The New Normal, which hasn’t been as popular as Go On, attracted 3.2 million viewers.

I bring this up now because the numbers for Go On aren’t as impressive as they once were, putting the ratings equally inline with the rest of NBC’s modestly rated comedies.

Another thing I want to point out:

NBC airs comedies on Wednesdays. The forgotten Whitney and Guys With Kids. Many people dismiss these shows as unfunny, unoriginal, and bound for cancellation at the end of the season – maybe due to their multi-camera format?

However, Whitney and Guys With Kids are the type of shows that NBC consider to be “broader programming.” guyswithkidsThis duo does well on Wednesday nights, but many people would predict these two shows won’t see a third and second season, respectively.

Be that as it may, the ratings for Whitney and Guys With Kids are VERY CLOSE to those of their Tuesday night NBC counterparts, the shows that are more preferable as you will, and projected to get a second season – maybe because of their single-camera formats?

I noticed this week that Go On only beat Whitney by 1 million viewers (4.2 million vs. 4.1 million) and a rating point  of .1 (1.5 vs. 1.4).

This weeks Guys With Kids actually beat this weeks The New Normal in the ratings (3.9 million viewers vs. 3.2 million viewers) and tied in the 18-49 demo (1.3).

This is not to go unnoticed! Most likely, ratings for Go On and The New Normal will stay in this range until The Voice returns in March. NBC’s Wednesday comedies are very steady, and have been all season. This is going to be very important to NBC president Bob Greenblatt when considering which shows stay and go for next season.

newnormatitleOne thing to consider is the competition that each block of shows are competing against, too. Go On and The New Normal face stiff competition from NCIS: Los Angeles, and outperform ABC and Fox’s comedy blocks.

Whitney and Guys With Kids also have some competition on Wednesdays, including ABC’s The Middle, CBS’ Survivor, and Fox’s The X Factor earlier in the fall.

Despite this, Go On is a lock for another season, while The New Normal has a fighting change, mainly because Ryan Murphy is behind the project. Whitney and Guys With Kids have had big question marks all season, but now as I see this and analyze it, I feel this Wednesday night comedies have have a fighting chance, especially with The Office, 30 Rock departing this season, as well as Community and Up All Night being huge toss ups for next season.

Stay tuned!

 

Related Articles:

How NBC is Quietly Cancelling Their Thursday Night Comedies

Wed Ratings: “People’s Choice Awards” no match for “Modern Family.” Viewers don’t care about “Stars in Danger”

Tuesday Ratings: “Happy Endings” Rebounds from a Terrible Sunday Night, “Cougar Town” Does OK for TBS

“The Cosby Show” reunion on “Guys With Kids” Please

 

 

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Jan 10

Wed Ratings: “People’s Choice Awards” no match for “Modern Family.” Viewers don’t care about “Stars in Danger”

ABC lead Wednesday night with all new episode of The Middle (8.44 million viewers, A18-49: 2.4), The Neighbors (6.63 million viewers, A18-49), Modern Family (11.96 million viewers, A18-49: 4.7), Suburgatory (6.98 million viewers, A18-49: 2.7), and Nashville (5.82 million viewers, A18-49: 2.0). 

CBS placed second with the special I Get That A Lot (7.75 million viewers, A18-49: 2.0) and The 39th Annual People’s Choice Awards (9.63 million viewers, A18-49: 2.6).

NBC captured third place with its mix of Whitney (4.17 million viewers, A18-49: 1.4), Guys With Kids (3.98 million viewers, A18-49: 1.3), Law & Order: Special Victims Unit (8.33 million viewers, A18-49: 2.1), and Chicago Fire (7.96 million viewers, A18-49: 2.2).

America didn’t care that stars were in danger on Fox. The two-hour special Stars in Danger: The High Dive was a bust. 3.36 million people tuned in.

The CW aired repeats of Arrow and Supernatural 

 

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Jan 10

Tuesday Ratings: “Happy Endings” Rebounds from a Terrible Sunday Night, “Cougar Town” Does OK for TBS

CBS lead Tuesdays in usually fashion with new episodes of NCIS (20.8 million viewers, A18-49: 3.5), NCIS: Los Angeles (17.78 million viewers, A18-49: 3.0), and Vegas (10.78 million viewers, A18-49: 1.5).

NBC remained in second place, despite having The Voice, offering up two new episodes of Betty White’s Off Their Rockers (averaging 5.85 million viewers, A18-49: 1.6 for the hour). NBC has seen the actual ratings for Go On without having an inflated lead in from The Voice, and they aren’t good at all (4.2 million viewers, A18-49: 1.5). The New Normal earned 3.2 million viewers, A18-49 of 1.3, and Parenthood spiked this week (5.2 million viewers, A18-49: 1.9).

Fox placed third with all new episodes of Raising Hope (3.76 million viewers, A18-49: 1.7), Ben & Kate (2.4 million viewers, A18-49: 1.2), New Girl (3.80 million viewers, A18-49: 2.0), and The Mindy Project (2.83 million viewers, A18-49: 1.5).

ABC’s Tuesday night comedies rebounded somewhat from their disastrous outing on Sunday nightHappy Endings earned 3.75 million viewers (A18-49: 1.4) and Dont’t Trust the B—- earned 3.18 million viewers (18-49: 1.1).

Speaking of ABC comedies – ABC’s former Tuesday night comedy Cougar Town made its long awaited debut on TBS Tuesday night – with decent ratings by TBS standards. Cougar Town premiered to 2.2 million viewers. Not stellar, but by season 4 and an untimely death by ABC, I doubt TBS was expecting this cult show to actually gain viewers.

Compared to TBS’ other latest new comedy premieres, Cougar Town came up a little short. Men at Work premiered to 2.6 million viewers, and Sullivan and Son premiered to 2.5 million viewers (Entertainment Weekly).

 

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Jan 10

Monday Ratings: “Deception” Garners Marginal Ratings for NBC

DeceptionNBC walked away with the number one spot on Monday night, but thanks could barely go to the premiere of Deception. 

The timeslot premiere of The Biggest Loser earned 6.3 million viewers (A18-49: 2.4). Deception held onto most of The Biggest Loser audience with 5.6 million viewers(A18-49: 2.0). 

NBC barely beat ABC in the 18-49 demo, and Deception edged out ABC’s Castle at 10p.m. (2.0 vs 1.9), which is cause for celebration, even though it was a very small win. ABC was number 1 in total viewers for the night (7.4 million viewers). The numbers are way down compared to what The Voice and Revolution usually pull in the timeslot. That was expected.

CBS aired comedy repeats. Fox aired the series finale of The Mob Doctor (3.2 million viewers, A18-49: 0.9).

All information is from The Futon Critic

Related Articles: 

“Deception”: NBC’s version of “Revenge”

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Jan 10

“XFactor”, “The Voice”, “American Idol” – Why Can’t They Keep Their Celebrity Judges?

This is a question that I must ask. Why can’t some of these popular reality shows keep their celebrity judges? The high turnover rate for some of these shows are quite ridiculous sometime. It makes me wonder if at this point, are these shows more interested in the contestants on the show, or about “which celebrity judges can they get next season to help promote the show and garner huge ratings?”

britneyI ask this question because last night at around 2 a.m., news broke that Britney Spears was leaving quit The X Factor out of fear and rumors that she wasn’t going to be asked back next season by the shows producers. If that’s true, that’s understandable that she may want to leave her job. According to TVGuide, producers weren’t completely thrilled by her performance this season, at least not enough to continue to pay her $15 million a year.

In addition to Spears exiting X Factor, L.A. Reid is also departing his duties as a judge to focus on his other job, Chairman and CEO of Epic Records.

Apparently, producers already have another personality in mind to replace Spears, and an announcement will be made “within the next 10 days.” This shows that their discussion was long thought out. Spears was destined to get the boot weeks, or maybe months ago.

 

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Jan 10

Britney Spears Quits “XFactor”

Season 2 of The X Factor is over, and so is Britney Spears’ job as judge on the show.

Reports state that Spears quit the Fox show because she heard rumors that she was going to be fired by the producers.

More info tomorrow on this tomorrow Also, a post on what’s up with these singing competitions rotting judges so much.

Stay tuned!

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